1.06.2025
RGMS End of Year Retrospective: 2024
1.06.2024
RGMS End of Year Retrospective: 2023
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| The Wild Hunt |
RGMS has long spoken of the ineffable experience that arises out of transcendent musical engagement. We’ve spoken of ways to carry that experience beyond its inception, its edges of embodiment, to connect it symbolically into our being outside of space and time. But what of the characteristics of that ineffability itself? Can it be hinted at in words? in concepts? What is to be said of the elusive phenomena that comprise such a mysterious experience? Might we give them a name to better know their features? To dialogue with the beings that inhabited that moment of great release? Those curious altered states of being.
We continue the wild hunt for the keys to these altered states and the map to the pathways to and from they arise. The way is easy but labyrinthine, seemingly veering of course in those prolonged silences. Yet, the alchemical approach beckons the opposites to contrast and play. What is movement without stillness? Just as the hunter stalks the deer, careful not to make any sudden movements as the prey grows near, we must remember that to be motionless is not always to be still. For inside, the organs of existence persist in their unending flow of wondrous rhythm, breathing out and then in - out… and then in… And this curious rhythm never dormant until death, yet susurrating beneath the din of our perpetual being, those undulating waves like the notches in a lock, hold the key to these elusive states of perceiving - altered states of being, new ways of seeing, hearing, feeling - What happens to these rhythms as we cross the threshold from mundane into altered? From atomized to transcendent? For now it may only be speculative, yet what is map making without speculation? We must find those rigid edges of the shores by leaping into the unknown and daring to etch lines into shape even when north may in fact be south and the world might just be a thought.
Somehow then, between the riff and the raff those undulating rhythms of our organs of perception, our brainwave behavior, when exposed to the pulse of the music begin to mirror - to harmonize with the beat that is grooving, driving the spectrum of audible frequencies into colorful illusion. And in this entrainment, an extraordinary phenomenon may start to arise… if the many rhythms of activation within begin to find a synchronicity, such that the ebbs match the ebbs and flows beget flow in some manner of relative consistency, then we have the magnificent state of divine coherence. The body and the brain, an amplitudinal echo chamber of itself, creating energy where it was not from the delicate balancing act of alignment within through the synchronization with the rhythmic design that floods the space in which our bodies reside.
With this newfound reservoir, a well-spring of animating resources, the laws of perception begin to find the limbs to bend. The neverending stream of perceptual data, once filtered into carefully determined branches of pertinent / non-pertinent, now stirred by the inner alchemist in the mind eye’s cauldron, suddenly unveils to our souls that which those before us have called the divine and the mystic…
…Divine indeed, and oft found yonder an unsuspecting corner. On this Twelfth Night, we recall the miraculous narratives and ponder how they inform our curious modern lives. A certain demarcation to end a festive timespan , but alas, the end of one year, and the start of new adventures to come. Day by day, year by year, the map becomes slightly more clear, yet the wild hunt never ceases...
12.31.2022
RGMS End of Year Retrospective: 2022
MUSIC RELEASES
[RGMS-012] MOSS Vol. II (0,0)
PODCASTS
EP#4 - Music as the Dialectical Synthesis
LIVE SESSIONS
Altered States: RGMS-006 Morning Bells
12.22.2022
Altered States: RGMS-006 Morning Bells LIVE
1.17.2022
Meditation Objects, Supplements, and Sequences (MOSS) Vol. II [RGMS-012]
1.06.2022
RGMS End of Year Retrospective: 2021
Striving to understand this sentiment, even though it evades definition and explanation, I tend to think of what this season meant to our ancestors. There was a serious reverence for the season – after all, life was not guaranteed. Life was tough, and winter tougher. Death was a possibility.
The myths surround us. RGMS aims to understand this modern world, the ancient past, and the synthesis of new mythology to come, asking how we may breathe new life into the experiences of being through ritual, through sound, and through the sowing of such deeper understanding. The opportunities are endless, a search for meaning lasting a lifetime – RGMS enters its second year end retrospective making sense of these unconscious artifacts. Year after year, layer after layer, we look forward to what is revealed.
RGMS presents a collection of 2021 works apart of our Year End Retrospective:
RGMS Works in 2021 -
[RGMS-009] Music for Sine Waves II (-2,2)
[RGMS-010] Solétudes (1, 2)
5. The Way of Apollo and Dionysus in the RGMS
6. Archetypes of Music
8. Towards More Objective Translations for a Non-Synesthesiac: Light to Sound
9. Ritual Engagement with Music
11.28.2021
Ritual Engagement with Music
11.05.2021
Sine Wave Experiment No. 1 [RGMS-011]
10.31.2021
Symbolism and the Cathedral (Newsletter #1)
Introducing the RGMS Email Newsletter. Subscribe to our Mailing List for exclusive content:
| St. Patrick's Cathedral, NYC (Interior) |
| St. Patrick's Cathedral (Exterior) |
"The Fall may best be understood not as a moral deviation or as a descent into a carnal state, but as a drama of knowledge, as a dislocation and degradation of our consciousness, a lapse of our perceptive and cognitive powers—a lapse which cuts us off from the presence and awareness of other superior worlds and imprisons us in the fatality of our solitary existence in this world. It is to forget the symbolic function of every form and to see in things not their dual, symbiotic reality, but simply their non-spiritual dimension, their psycho-physical or material appearance. Seen in this perspective, our crime, like that of Adam, is equivalent to losing this sense of symbols; for to lose the sense of symbols is to be put in the presence of our own darkness, of our own ignorance. This is the exile from Paradise, the condition of our fallen humanity; and it is the consequence of our ambition to establish our presence exclusively in this terrestrial world and to assert that our presence in this world, and exclusively in this world, accords with our real nature as human beings. In fact, we have reached the point not only of thinking that the world which we perceive with our ego-consciousness is the natural world, but also of thinking that our fallen, subhuman state is the natural human state, the state that accords with our nature as human beings. And we talk of acquiring knowledge of the natural world when we do not even know what goes on in the mind of an acorn."
2.18.2021
About RGMS
1.06.2021
The Way of Apollo and Dionysus in the RGMS
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| Apollo and Dionysus by Leonid Ilyukin |
12.31.2020
RGMS End of Year Retrospective: 2020
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| Last Light in the Forest by Michael Handt |
With hardened soil and leafless trees, sounds of the winterscape reverberate in these freshly bare lands. Ears to the ground, we might catch a glimpse of the stirring Spring, mycelium matrices underneath, or even thoughts in a new light.
Before long the mild sun sets beyond frozen hills, making way for ethereal hosts. Looking out into the midwinter night one senses something - something metaphysical, subtly placed, layered beneath time...
...Here we are again, at the edge of the year, where death feeds into birth. A stillness permeates the landscape, seizing us - and if we are attentive, it invites us to turn inward.
***
RGMS not only commemorates its inaugural year, but also the vast and varied spirit of the season. From the yulefest toast with holy ale, to the unadorned aluminum Festivus pole - new threads of religious syncretism stir. To say the least, we recollect the beginnings of Rhineland Christmas firs, the spectral procession of Odin’s Wild Hunt, and the boreal spruce trees sprouting troops of Amanita Muscaria at their roots.
Cyclic workings would tend to escape us, yet present themselves in plain sight. Cyclic workings, which overlap and coil concurrently. Such cycles as the lunar phases and this month’s December Cold Moon, but even so on greater time scales, with the recent sightings of the ‘Christmas Star’ on the winter solstice, marking an 800-year cycle in the great conjunction of Jupiter and Saturn...and yet, a human lifetime is allotted, experienced in default view, alas, grasping just a bit further.
Among such a mindset, a practice, and a settling down for the passing of a momentous year, RGMS reflects on our work published and the work to come. We present a playlist featuring our selected works this year aimed to construct a new, cohesive experience. We invite you to listen with us, to start new conversations, and become a part of future endeavors.
RGMS End of Year Retrospective: 2020 (spotify playlist)
Polaris, a guiding light, sits upon the sacred tree. Axis mundi, the world ash - center of the cosmos and the structure of the universe - turns again between the celestial poles. During this season such imagery surrounds us. We find it’s reference wherever we look. A reminder, in a way, that is seemingly mystifying and mundane altogether: we are of the same substratum that encompasses throughout, as far as light can reach. Our action in alignment with these ideals is a gesture of universal workings, and we can only hope that from these most sacred of months that we hold fast to these customs as a new year is borne, bathed in cyclic time. It is a cycle longing for a retrospective in the face of the immanent wheel. A cycle, which is nothing without reprise, yet desires to corkscrew towards some seeming linearity, first convolves in upon itself before springing forward into uncharted territories. As the RGMS coils, we hold our collective breath at such potential energy; here we are my friends, anticipating the daredevilish leap over the abyss, pilgrims on the vessel 2020 reaped, ready to sew new forms to prepare for any and everything. To 2021, and many years to come!
RGMS Releases in 2020:
- Undercover Coroner [RGMS-000]
- Lecture on Nothing [RGMS-001]
- Music for Sine Waves I [RGMS-002]
- American Ozymandias [RGMS-003]
- Meditation Objects, Supplements, and Sequences (MOSS) Vol. I [RGMS-004]
- Early Studies in Sound [RGMS-005]
- Morning Bells [RGMS-006]
- Scylla / Charybdis [RGMS-007]
RGMS Publications in 2020:
- The Meaning Behind RGMS
- Origins: Tony and Bobby Goldberg
- RGMS Release Code
- Empiricism of Music
- Artistic Hermeneutic Loop
10.09.2020
Lecture on Nothing [RGMS-001]
10.06.2020
The Visionary Commonwealth - Empiricism of Music
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| Dark Side (Fire #1) by Guo Hongwie |
From The Visionary Commonwealth, a bourgeoning new music blog, here we have the foundations of a nascent heuristic of music derived from an intuitive sense.
9.29.2020
RGMS: Inner Workings
RGMS Release Code In-Depth
Due to the nature of the collective, there will be a wide range of aesthetic output within the rgms.9.22.2020
An Introduction: Rube Goldberg Machine of Semiotics (rgms)
"Jean and I are living in Hawaii, and we’re living right by the ocean. And we have a little lanai, a little porch, and there’s a coconut tree that grows up through the porch and it goes on up. And there’s a kind of vine, plant, big powerful thing with leaves like this, that has grown up the coconut tree. Now, that plant sends forth little feelers to go out and clutch the plant, and it knows where the plant is and what to do– where the tree is, and it grows up like this, and it opens a leaf, and that leaf immediately turns to where the sun is. Now, you can’t tell me that leaf doesn’t know where the sun is going to be. All of the leaves go just like that, what’s called heliotropism, turning toward where the sun is. That’s a form of consciousness. There is a plant consciousness, there is an animal consciousness. We share all of these things. You eat certain foods, and the bile knows whether there’s something there for it to go to work on. I mean, the whole thing is consciousness. I begin to feel more and more that the whole world is conscious; certainly the vegetable world is conscious, and when you live in the woods, as I did as a kid, you can see all these different consciousnesses relating to themselves."
- The Machine, impersonally - a unrelentingly process of nature





